Thursday, August 7, 2025
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Memorial Art Gallery (1913, by Foster, Gade, and
Graham in Italian Renaissance style) |
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Former Cutler Union (1932-1933, by
Ezra Winter in "academic Gothic" style) |
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| Untitled (1996, by Deborah Butterfield) |
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| Penguins (1926, by Blanca Will) (KSS) |
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Allée along the connector between the
two main buildings |
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Argentum Double Positive (2016,
by Jim Sanborn) has text relating to the
history of Rochester and of photography;
this is one of two columns |
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| Looking through the column |
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Process Art (An Eye for an Eye)
(2008, by Nathan Mabry) (KSS) |
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| Lover's Rainbow (2022, by Pia Camil) |
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| Lover's Rainbow detail (rebars?) |
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| Broken Pavilion (2022-23, by Rashid Johnson) (KSS) |
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| Broken Pavilion detail (KSS) |
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| Oracle (2022, by Sanford Biggers) |
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| Unicorn Family (2013, by Wendell Castle) |
Cameros Gallery:
Seeing America: American Art to 1950:
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| Creampot (1765-1775, by Paul Revere) |
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The Night Before the Battle (1865, by
James Henry Beard) (KSS) |
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| End Upheld (2014, by Nick Cave) (KSS) |
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Maquette for Swing Low (2007, by Alison Sear)
depicts Harriet Tubman as the "train" of the
Underground Railroad, but also with roots trailing behind |
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The Studio (1885, by Kate E Bissell) about which
was overheard that this painting was once part of the
gallery's lending library, went missing, and was later
donated by someone who bought it at a garage sale |
Art of Africa, Oceania, and the Americas:
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| Sailing Chart (Marshall Islands) |
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| Olla/Jar (Santo Domingo Pueblo, NM) |
Controversy & Change 1900-1950:
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The White Bridge (c 1900, by
John Twachtman) |
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Jawbone and Fungus (1931, by Georgia O'Keeffe);
in this case there is a painting on the reverse side ... |
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| Untitled (Abstraction) (c 1923, by Georgia O'Keeffe) |
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| Non-Fiction (1943, by Robert Gwathmey) |
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| Soldier on Leave (1944, by Norman Rockwell) |
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| Galaxy (1942, by Fritz Trautman) |
Modern & Contemporary Art: 1945-Present:
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Euphemism (Knot Series) (2023, by
Paul S Briggs) |
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Pale Iris Seaform Set with Honeysuckle Lip Wraps
(1997, by Dale Chihuly) |
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After Grant Wood (American Gothic) 3
(2010, by Devorah Sperber) |
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After Grant Wood (American Gothic) 3
as seen through a clear sphere |
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After Grant Wood (American Gothic) 3
is created with spools of thread |
Lockhart Gallery:
William Gropper: Truth, Beauty, Justice, Humor:
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America: Its Folklore (1946, by William Gropper);
although commissioned by the State Department, this
depiction of the "working class" by a left-wing artist
caused Gropper to be blacklisted during "McCarthyism" |
Brush Gallery: American Decorative Arts:
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| Music Stand (1964, by Wendell Castle) |
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Inuit Stone carvings of: Two Otters (1982, by
Thomassiapik Sivuarapik), Group of Ptarmigan (1974,
by Easter Paulosie), and Seal (c 1969, by Aoudia Pee) (KSS) |
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| The Sunset Scene (1915, Tiffany Studios) |
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| Crested Swans (c 1910, by John Scholl) |
Docent Gallery: 69th Rochester-Finger Lakes Exhibition:
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| Back to the Grind (2023, by Aaron Schnittman) |
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Greed Shreds the Fabric of Democracy
(2024, by Bob Conge) (KSS) |
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Greed Shreds the Fabric of Democracy
detail (KSS) |
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Are We Moving Backwards? (2025, by Joshua Hudak)
(See video below) |
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| Floating Island (2023, by Jennifer DiGaetano) |
Hurlbut Gallery: Avinash Kumar's Illusionary Odyssey (2024):
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Murals on two sides of a corridor depict a "bird of paradise"
from birth in an origami-star egg to his flight to a home ... |
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| ... I suppose this is home |
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