Monday, September 8, 2025

Melbourne, AU II (9/8/2025)

Monday, September 8, 2025 (continued)
At the rear or east end of Federation Square is National Gallery of Victoria/Ian Potter Centre (2002). A young man at the reception desk tried to help us find where certain paintings were located. This art gallery is not very user-friendly, because they do not label the artwork. Often you had to find a digital device and scan through pictures to find any information. We wanted to see the most prominent Australian artists.
At this point I needed to rest my hip, so Kent was the one dashing from digital device to painting and back, taking photos.
White sacred baboon (1965, by Brett Whiteley)
St Kilda (c 1942, by Sidney Nolan) (KSS)
Tree form (1945, by Russell Drysdale) (KSS)
Crucifix, southern Italy (1955, by Sidney Nolan) (KSS)
The Siamese moon (1952, by James Gleeson) (KSS)
Cricketer (1955, by Fred Williams) (KSS)
Double head (1947, by Peter Purves Smith) (KSS)
The block (1954, by John Brack)
Settlement and the gatekeepers (2022-2023, by
Elvis Richardson) 
Mandjabu/conical fish trap (c 1970, by Anchor Kalunba)
Fish trap at the opening
Shearing the rams (1890, by Tom Roberts)
The violin lesson (c 1889, by Tom Roberts) (KSS)
The pioneer (1904, triptych by Frederick McCubbin)
Peibri Sor/Stingray (2017, by Helen Mabo)
Crowd (c 1922, by Grace Cossington Smith)
The weathercock (1944, by Arthur Boyd)
Dimboola (1944, by Sidney Nolan)
We inhabit the corrosive littoral of habit (1940,
by James Gleeson)
Leaving the Ian Potter Centre, we saw the
Forum Theatre (1929, by American
John Eberson, meant to evoke a Florentine
walled garden) across Flinders Street
Australian women killed [by violence] since January 1, 2024
Laneways (alleys between streets) such as
Hosier Lane are celebrated for "street art"
Rutledge Lane windowsill
Rutledge Lane (KSS)
Angels?
All kinds of styles of graffiti
Looking down Hosier Lane at the fractals
of the Ian Potter Centre
A fractal lion (KSS)
Hosier Lane
Unnamed lane off Flinders Lane!
Next: Melbourne III.

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