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| In the western courtyard are the original statues (1854, by Mihály Bartalits) of the Wandering Apostles that once graced the southern façade of the cathedral (KSS) |
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| A close-up of a few of the weather-deteriorated sandstone sculptures |
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| Cathedral interior |
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| St Mary's Chapel with paintings by Bertalan Székely |
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| Detail of the walls of St Mary's Chapel |
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| Relief (late 19C, by György Zala) over the steps down to the crypt (KSS) |
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| In the crypt, a bier is always ready to hold a coffin for a funeral |
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| Main altar in the crypt |
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| Memorial to Nándor (Ferdinandus) Dulánszky who was Bishop of Pécs 1877-1896 |
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| Memorial (2008, by Sándor Rétfalvi) to Janus Pannonius, a celebrated Renaissance humanist, poet, and Bishop of Pécs (KSS) |
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| Stained glass window |
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| Cathedral Chancel with double pulpits |
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| Angster Organ (1877, manufactured in Pécs) |
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| Six of the apostles and many saints on the ceiling of the nave (the six others are over the chancel) (KSS) |
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| Southern facade of the Cathedral of Pécs with the statues (1962-1963, by Károly Antal) across the top of the wall; note that the cathedral has four towers |
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| Bronze gates (2000, by Sándor Rétfalvi) at the southern entrance of the cathedral; the relief above is Homage of Hungarian Saints before the Virgin Mary, the Patroness of Hungary (by György Kiss) |
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| Püspöki palota/Bishop's Palace (1751-1770) |
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| A statue (1983, by Imre Varga) of Franz Liszt on the balcony of the Bishop's Palace, commemorates the 1846 visit to Pécs of the renowned Hungarian composer and pianist |
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| Statue (1893, by György Kiss) of Ignác Szepesy, doctor of philosophy and theology, and Bishop of Pécs who was the first to translate the Bible into the Hungarian language |
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| The next stop was Cella Septichora/Seven-apsed cell, which is an archaeological site of unfinished ancient Roman chapels or funerary buildings |
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| But first, we passed a wall of light-transmitting concrete blocks invented by Hungarian architect Áron Losonczi in 2001; as strong as concrete but embedded with optical fibers to allow light through... |
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| ...as seen on the opposite side of the wall; a goal is to reduce the need for electrical lighting to save energy |
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| The beginning of a two-story cella septichora with two niches or apses shown, dating to 4C CE |
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| Hey, it is another group from Viking |
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| Constructed from local limestone and sandstone blocks laid in mortared rubblework (KSS) |
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| Artifacts found at the archaeological site |
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| A view down on the unfinished cella septichora to see more of the seven apses |
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| Burial Chamber XIX |
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| Burial Chamber V is octagonal |
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| Barrel vault of the Peter & Paul Chamber; the chamber was supposed to have a fresco of the Virgin Mary, but we were not taken inside |
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| Burial Chamber IV |
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| A structure for love locks |
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| Apparently Pécs is where the tradition of love locks began in 1971, a symbol of eternal love, with couples embracing the custom to signify their enduring commitment to one another (KSS) |
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| Love locks detail (KSS) |
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| Cseh Palota/Czech Palace entrance (1920s) (KSS) |
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| Bust (1958, by György Baksa Soós) of Leonardo da Vinci |
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| Gyertyaszentelő Boldogasszony Templom/Church of Our Lady of Candlemas (1543-1546 as Gázi Kászim Dzsámi/ Gazi Qasim Mosque, converted to a church in 1702) |
Next: More Pécs.








































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